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	<title>10o Φεστιβάλ Πρωτοποριακού Κινηματογράφου &#187; Manoel de Oliveira Tribute</title>
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		<item>
		<title>The hunt</title>
		<link>http://10aagff.tainiothiki.gr/en/the-hunt-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/the-hunt-2/#comments</comments>
		<pubDate>Thu, 21 Nov 2019 16:00:11 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
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		<description><![CDATA[A caça / The hunt Ελληνική Πρεμιέρα/Greek Premiere Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1963, 21 ́ 35mm, α/μ/b&#38;w, Πορτογαλικά/Portuguese &#160; This allegorical short ... <a href="http://10aagff.tainiothiki.gr/en/the-hunt-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>A caça / The hunt</p>
<p>Ελληνική Πρεμιέρα/Greek Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1963, 21 ́ 35mm, α/μ/b&amp;w, Πορτογαλικά/Portuguese</p>
<p>&nbsp;</p>
<p>This allegorical short was inspired by a news item about the rescue operation of two boys, who were part of a hunting party and ended up in a marshland. The rescuers, in the film, quarrel with each other and forget why they are there. It’s a sarcastic parable on Portuguese fascism. Indeed, the film was censored as too pessimistic and was allowed to be released with an optimistic ending. After the fall of the junta, prints of the film include both versions of the ending.</p>
<p>&nbsp;</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Manoel de Oliveira<br />
Μοντάζ/Editing: Manoel de Oliveira<br />
Ήχος/Sound: Manoel de Oliveira<br />
Ηθοποιοί/Cast: António Rodrigues Sousa, João Rocha Almeida<br />
Παραγωγός/Producer: Manoel de Oliveira<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη- Μουσείο Κινηματογράφου/ Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>*Screening along with the film &#8220;Porto da minha infacia&#8221;</p>
<p>* Suitable for English speaking audience</p>
<p>&nbsp;</p>
]]></content:encoded>
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		<item>
		<title>Oporto of my childhood</title>
		<link>http://10aagff.tainiothiki.gr/en/oporto-of-my-childhood-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/oporto-of-my-childhood-2/#comments</comments>
		<pubDate>Thu, 21 Nov 2019 16:00:14 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
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		<guid isPermaLink="false">http://hosting.epafos.gr/10aagff/?p=7539</guid>
		<description><![CDATA[Porto da minha infância / Oporto of my childhood Αθηναϊκή Πρεμιέρα/Athenian Premiere Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία/Portugal, France, 2001, 61 ́, 35mm, ... <a href="http://10aagff.tainiothiki.gr/en/oporto-of-my-childhood-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Porto da minha infância / Oporto of my childhood</p>
<p>Αθηναϊκή Πρεμιέρα/Athenian Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία/Portugal, France, 2001, 61 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>When, in 2001, Oliveira was asked, to make a film about his birthplace, Porto, he seized the opportunity, but encountered the problem of the city being renovated. Converting the limitation to his advantage, he resorted to his childhood memories. In his words: “I regard the film as a documentary, but to avoid it getting bogged down in a kind of photo album, I sometimes had to reconstruct things. What remains are memories of a kind of life and of images of a time long gone, that eventually do not form an autobiography, even though they do involve me”.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Emmanuel Machuel<br />
Μοντάζ/Editing: Valérie Loiseleux<br />
Ήχος/Sound: Jean-François Auger<br />
Ηθοποιοί/Cast: Jorge Trêpa, Ricardo Trêpa, Maria de Medeiros, Leonor Silveira<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη- Μουσείο Κινηματογράφου Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Screening along with the film &#8220;The hunt&#8221;</p>
<p>* Suitable for English speaking audience</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Blind man’s buff</title>
		<link>http://10aagff.tainiothiki.gr/en/blind-mans-buff/</link>
		<comments>http://10aagff.tainiothiki.gr/en/blind-mans-buff/#comments</comments>
		<pubDate>Sat, 23 Nov 2019 16:00:49 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
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		<description><![CDATA[A caixa / Blind man’s buff Μυθοπλασία/Fiction, Γαλλία/France, 1955, 86 ́ DCP, α/μ/b&#38;w Shot entirely on the set of a ... <a href="http://10aagff.tainiothiki.gr/en/blind-mans-buff/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>A caixa / Blind man’s buff</p>
<p>Μυθοπλασία/Fiction, Γαλλία/France, 1955, 86 ́ DCP, α/μ/b&amp;w</p>
<p>Shot entirely on the set of a flight of steps winding upwards through a poor neighbourhood, the film tells the misadventures of a blind beggar and his daughter, who is a washerwoman and does all the housework. Her companion is a rotter and lives off her and the blind man’s hand-out box. When the box is stolen for the second time, events take a dramatic turn. De Oliveira described the film as a portrait of humanness, introduced via a group of poor and marginal people.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Mário Barroso<br />
Μοντάζ/Editing: Manoel de Oliveira, Valérie Loiseleux<br />
Ήχος/Sound: Jean- François Auger<br />
Ηθοποιοί/Cast: Luís Miguel Cintra, Glicínia Quartin, Ruy de Carvalho, Beatriz Batarda<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>Past and present</title>
		<link>http://10aagff.tainiothiki.gr/en/past-and-present-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/past-and-present-2/#comments</comments>
		<pubDate>Mon, 25 Nov 2019 20:00:21 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
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		<guid isPermaLink="false">http://hosting.epafos.gr/10aagff/?p=7560</guid>
		<description><![CDATA[O passado e o presente / Past and present Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία, Ελβετία/Portugal, France, Switzerland, 1993, 189 ́, 35mm, Έγχρ./Color, ... <a href="http://10aagff.tainiothiki.gr/en/past-and-present-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>O passado e o presente / Past and present</p>
<p>Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία, Ελβετία/Portugal, France, Switzerland, 1993, 189 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>&nbsp;</p>
<p>The first part of De Oliveira’s Tetralogy of Frustrated Love is a black comedy. Vanda remarries after her husband Ricardo dies in an accident. Soon after, she is bored of her new husband, Firmino, longing for Ricardo, whom she despised, when he was still alive. When Firmino also dies, Ricardo’s twin brother appears, stories are brought to light, and Vanda finds herself married again. Her marriage however is overshadowed again, by her memories of her happy days with Firmino.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Vicente Sanches, Manoel de Oliveira<br />
Φωτογραφία/Cinematography: Acácio de Almeida<br />
Μοντάζ/Editing: Manoel de Oliveira<br />
Ήχος/Sound: Fernando Gomes, Vasco Sequeira<br />
Ηθοποιοί/Cast: Maria de Saisset, Manuela de Freitas, Bárbara Vieira<br />
Παραγωγός/Producer: Manoel de Oliveira<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη- Μουσείο Κινηματογράφου/ Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>Rite of spring</title>
		<link>http://10aagff.tainiothiki.gr/en/rite-of-spring-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/rite-of-spring-2/#comments</comments>
		<pubDate>Wed, 27 Nov 2019 16:00:32 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
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		<guid isPermaLink="false">http://hosting.epafos.gr/10aagff/?p=7563</guid>
		<description><![CDATA[Acto da primavera / Rite of spring Αθηναϊκή Πρεμιέρα/Athenian Premiere Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1962, 115 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese &#160; De ... <a href="http://10aagff.tainiothiki.gr/en/rite-of-spring-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Acto da primavera / Rite of spring</p>
<p>Αθηναϊκή Πρεμιέρα/Athenian Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1962, 115 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>&nbsp;</p>
<p>De Oliveira’s original intention was to make an ethnographic documentary about the re-creative ritual of the Passion of Christ, by the local community of Curalha, in Portugal. That is a distinctive local tradition, rooted in the 16th-century, in which the words are chanted. In fact, it is De Oliveira second fiction film, in which the devout and self-reflective documentation gives way to a beautifully audacious and uncompromisingly modern directing style.</p>
<p>&nbsp;</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Francisco Vaz De Guimarães, Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Manoel de Oliveira<br />
Μοντάζ/Editing: Manoel de Oliveira<br />
Ήχος/Sound: Manoel de Oliveira<br />
Ηθοποιοί/Cast: Nicolau Nunes Da Silva, Ermelinda Pires, Maria Madalena<br />
Παραγωγός/ Producer: Manoel de Oliveira<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p><strong>Presentation from Jose Manuel Costa, director of Cinemateca Portuguesa</strong></p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>Francisca</title>
		<link>http://10aagff.tainiothiki.gr/en/francisca-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/francisca-2/#comments</comments>
		<pubDate>Thu, 28 Nov 2019 20:00:31 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
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		<guid isPermaLink="false">http://hosting.epafos.gr/10aagff/?p=7566</guid>
		<description><![CDATA[Francisca Ελληνική Πρεμιέρα/Greek Premiere Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1981, 166 ́ DCP, Έγχρ./Color, Πορτογαλικά/Portuguese &#160; Based on a true story, the film ... <a href="http://10aagff.tainiothiki.gr/en/francisca-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Francisca</p>
<p>Ελληνική Πρεμιέρα/Greek Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1981, 166 ́ DCP, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>&nbsp;</p>
<p>Based on a true story, the film shows the love adventures of the writer Camilo and his friend José-Augusto, who fall in love with two sisters. Even though José-Augusto prefers Maria, he marries Fanny. The characters eventually fall victim of their own beliefs. In this last part of the Tetralogy of Frustrated Love, De Oliveira demonstrates his virtuosity in long shots, in positioning and moving the camera, as well as incredible precision regarding the use of music.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira, P. João Marques<br />
Φωτογραφία/Cinematography: Elso Roque<br />
Μοντάζ/Editing: Monique Rutler<br />
Ήχος/Sound: Jean-Paul Mugel<br />
Ηθοποιοί/Cast: Teresa Menezes, Diogo Dória, Mário Barroso<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema<br />
Αποκατάσταση/Restoration: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p><strong>Presentation from Jose Manuel Costa, director of Cinemateca Portuguesa</strong></p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>&#8220;No&#8221;, or the vain glory of command</title>
		<link>http://10aagff.tainiothiki.gr/en/no-or-the-vain-glory-of-command-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/no-or-the-vain-glory-of-command-2/#comments</comments>
		<pubDate>Fri, 29 Nov 2019 15:30:14 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
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		<guid isPermaLink="false">http://hosting.epafos.gr/10aagff/?p=7569</guid>
		<description><![CDATA[&#8220;Non&#8221;, ou a vã glória de mandar / &#8220;No&#8221;, or the vain glory of command Ελληνική Πρεμιέρα/Greek Premiere Μυθοπλασία/Fiction, Πορτογαλία, ... <a href="http://10aagff.tainiothiki.gr/en/no-or-the-vain-glory-of-command-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>&#8220;Non&#8221;, ou a vã glória de mandar / &#8220;No&#8221;, or the vain glory of command</p>
<p>Ελληνική Πρεμιέρα/Greek Premiere</p>
<p>Μυθοπλασία/Fiction, Πορτογαλία, Ισπανία, Γαλλία/Portugal, Spain, France, 1990, 110 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>In the twilight of colonialism in 1974, in the Portuguese African colony of Angola, some soldiers reflect on the meaning of homeland and on “the vain glory of command”. Through their memories, the main episodes of the history of Portugal are depicted. De Oliveira gives a fascinating fictional as well as real history-lesson about Portugal’s downfall. The gloomy anti-war message of the film is that wars result only in more futility and empires only leave ruins.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira, P. João Marques<br />
Φωτογραφία/Cinematography: Elso Roque<br />
Μοντάζ/Editing: Manoel de Oliveira, Sabine Franel<br />
Ήχος/Sound: Gita Cerveira<br />
Ηθοποιοί/Cast: Luís Miguel Cintra, Diogo Dória, Miguel Guilherme, Luís Lucas, Carlos Gomes<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>Doomed Love</title>
		<link>http://10aagff.tainiothiki.gr/en/doomed-love-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/doomed-love-2/#comments</comments>
		<pubDate>Sun, 01 Dec 2019 17:00:50 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
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		<description><![CDATA[Ελληνική Πρεμιέρα/Greek Premiere Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1978, 252 ́, 35mm, Έγχρ./Color Πορτογαλικά/Portuguese In this tragic love story, set at the end ... <a href="http://10aagff.tainiothiki.gr/en/doomed-love-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Ελληνική Πρεμιέρα/Greek Premiere</p>
<p>Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1978, 252 ́, 35mm, Έγχρ./Color Πορτογαλικά/Portuguese</p>
<p>In this tragic love story, set at the end of the 18th century, Simão and Teresa have to remain apart, because their families are hostile to each other. The two young lovers come to ruin for their forbidden mutual attraction. For the third part of his Tetralogy of Frustrated Love, De Oliveira closely adapted the novel, under the same title, by Camilo Castelo Branco. He was criticised of wantonly producing the most expensive Portuguese film made with public subsidy, at a time of serious financial crisis.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Manuel Costa e Silva<br />
Μοντάζ/Editing: Solveig Nordlund<br />
Ήχος/Sound: Manoel de Oliveira<br />
Ηθοποιοί/Cast: António Sequeira Lopes, Cristina Hauser, Elsa Wallencamp, António Costa, Henrique Viana, Ruy Furtado<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
]]></content:encoded>
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		<item>
		<title>Voyage to the beginning of the world</title>
		<link>http://10aagff.tainiothiki.gr/en/voyage-to-the-beginning-of-the-world-2/</link>
		<comments>http://10aagff.tainiothiki.gr/en/voyage-to-the-beginning-of-the-world-2/#comments</comments>
		<pubDate>Mon, 02 Dec 2019 15:00:10 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
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		<description><![CDATA[Viagem ao princípio do mundo / Voyage to the beginning of the world Aθηναϊκή Πρεμιέρα/Athenian Premiere Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία/Portugal, France, ... <a href="http://10aagff.tainiothiki.gr/en/voyage-to-the-beginning-of-the-world-2/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Viagem ao princípio do mundo / Voyage to the beginning of the world</p>
<p>Aθηναϊκή Πρεμιέρα/Athenian Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία, Γαλλία/Portugal, France, 1997, 95 ́, 35mm, Έγχρ./Color, Πορτογαλικά/Portuguese</p>
<p>In the film, also in an autobiographical vein, Marcello Mastroianni, in his last performance, plays Manoel, a senior Portuguese film director, who, along with actor friends, is shooting on location in the places of his youth. Manoel’s leading man, Alfonso remembers his long gone dead father and his origin from a hardscrabble village nearby. They decide to visit the village, and Alfonso’s reunion with his aunt is combined with Manoel’s memories of his childhood in this particular part of northern Portugal&#8230;</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: Renato Berta<br />
Μοντάζ/Editing: Valérie Loiseleux<br />
Ήχος/Sound: Jean-François Auger<br />
Ηθοποιοί/Cast: Marcello Mastroianni, Jean-Yves Gautier, Leonor Silveira<br />
Παραγωγός/Producer: Paulo Branco<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη-Μουσείο Κινηματογράφου/Portuguese Cinematheque-Museum of Cinema</p>
<p>&nbsp;</p>
<p>* Suitable for English speaking audience</p>
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		<title>Aniki-Bόbό</title>
		<link>http://10aagff.tainiothiki.gr/en/aniki-b%cf%8cb%cf%8c/</link>
		<comments>http://10aagff.tainiothiki.gr/en/aniki-b%cf%8cb%cf%8c/#comments</comments>
		<pubDate>Tue, 03 Dec 2019 16:00:27 +0000</pubDate>
		<dc:creator>tainiothiki3</dc:creator>
				<category><![CDATA[Manoel de Oliveira Tribute]]></category>
		<category><![CDATA[Movie]]></category>
		<category><![CDATA[Program]]></category>

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		<description><![CDATA[Aniki-Bόbό Ελληνική Πρεμιέρα/Greek Premiere Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1942, 71 ́, 35mm, α/μ/b&#38;w, Πορτογαλικά/Portugues This first feature film of De Oliveira, a ... <a href="http://10aagff.tainiothiki.gr/en/aniki-b%cf%8cb%cf%8c/">Read more &#8594;</a>]]></description>
				<content:encoded><![CDATA[<p>Aniki-Bόbό</p>
<p>Ελληνική Πρεμιέρα/Greek Premiere<br />
Μυθοπλασία/Fiction, Πορτογαλία/Portugal, 1942, 71 ́, 35mm, α/μ/b&amp;w, Πορτογαλικά/Portugues</p>
<p>This first feature film of De Oliveira, a forerunner to Italian neorealism, features the story of a group of children in a poor neighborhood of Oporto. Aniki-Bόbό refers to the magic word that distinguishes police from thiefs. The leading Eduardinho has affection for Teresinha, who begins noticing the interest of a shy boy named Carlitos. When the game gets serious, the children face the consequences. The film was a commercial failure on its initial release, but today it is regarded as a classic work of Portuguese cinema.</p>
<p>Σκηνοθεσία/Direction: Manoel de Oliveira<br />
Σενάριο/Screenplay Manoel de Oliveira<br />
Φωτογραφία/ Cinematography: António Mendes<br />
Μοντάζ/Editing: Manoel de Oliveira<br />
Ήχος/Sound: Sousa Santos<br />
Ηθοποιοί/ Cast: Nascimento Fernandes, Vital dos Santos, António Palma<br />
Παραγωγός/Producer: António Lopes Ribeiro<br />
Προέλευση ταινίας/Film Source: Πορτογαλική Ταινιοθήκη- Μουσείο Κινηματογράφου/ Portuguese Cinematheque-Museum of Cinema</p>
<p>*Screening along with the film &#8220;Labor on the Douro river&#8221;</p>
<p>* Suitable for English speaking audience</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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