Vivement Dimanche! / Finally Sunday

Μυθοπλασία/Fiction, Γαλλία/France, 1982, 111’, α/μ/b&w, Με ήχο/Sound

Truffaut’s last film is a return to black-and-white photography, a farewell to cinema, a compendium of his filmography and an homage to Hitchcock and the recurring theme of most of his films — a man accused of a crime of which he’s innocent. A real-estate broker is prime suspect of the murders of his wife and her lover. Following closely the components of the genre — the looks, the night, the shadow, the heroin’s glamour — Truffaut actualizes his objective, to make “ a good film for Saturday night”, as he said in an interview for Première in February 1983.

Σκηνοθεσία/Direction: François Truffaut
Σενάριο/Screenplay: François Truffaut, Suzanne Schiffman, Jean Aurel [βασισμένο στο ομώνυμο μυθιστόρημα του/based on the novel by Charles Williams]
Φωτογραφία/ Cinematography: Néstor Almendros
Μοντάζ/Editing: Martine Barraqué
Ηθοποιοί/Cast: Fanny Ardant, Jean-Louise Trintignant
Παραγωγή/ Production: emand Barbault, François Truffaut
Προέλευση κόπιας/Print source: MK2

* Suitable for English speaking audience